Profile
 Román De Lorenzo is a Spanish creative director and visual artist working at the intersection of fashion, visual culture, and digital environments. As the founder of MURPH, a Madrid-based studio, his practice focuses on shaping contemporary brand narratives through a language that merges aesthetics, communication, and cultural positioning.

With a background rooted in strategy and creative direction, De Lorenzo has collaborated with global brands such as Gucci, Burberry, Nike, or Inditex, developing projects that operate across campaigns, editorial platforms, and digital ecosystems. 

His work is characterized by a sensitivity to image-making and its role within a global cultural field, where fashion, media, and art converge. Moving fluidly between disciplines, his practice explores how visual narratives can construct identity, desire, and contemporary modes of perception.


Photography by Carlos Sempere


Exhibitions
(upcoming) Jade Paris
Imágenes by Felipe Escudero and Román de Lorenzo
Sept - Dec 2026

Palenqe Madrid 
Imágenes by Felipe Escudero and Román de Lorenzo
June 2026

Alcova Milano
Imágenes by Felipe Escudero and Román de Lorenzo
April 2026


Isola Milano
Imágenes by Felipe Escudero and Román de Lorenzo
April 2026

Awards and Recognitions
UE - European University Madrid
Awards host and Curator 2026

Princep de Girona 
Links book for Entrepreneurial recognition
Recent Press
Imágenes by Felipe Escudero and Román de Lorenzo 
Neo 2
2026

Imágenes by Felipe Escudero and Román de Lorenzo 
VEINTICINCO
2026

Imágenes by Felipe Escudero and Román de Lorenzo 
Vogue Poland
2026               

Román de Lorenzo

   Creative Director and Visual Artistroman@murph.eu , @roman.delorenzo
IMÁGENES
collaboration with Felipe Escudero
April 2026 Fiberglass, polished resin, and steel
Dimensions: 180x60x60com
Wonder cabinet
Scroll in pease chair or Protocol of confortability 
Critical tap and False Locker
Scroll in pease chair or Protocol of confortability 
Diferent pieces 
Non-Silverwear 



Blending free-form sculpture with hyperfunctional design, Imágenes is a series of seven everyday objects that, assembled into a puzzle, reveal questions around contemporary life, including pharmaculture, cybersecurity, and consciousness. The installation combines soft and hard scultpure to turn the negative into positive.

This series explores a return to primordial creation, where objects act as symbols beyond function. Using everyday elements transformed in scale and context, the works reveal hidden tensions of contemporary life, merging the spiritual, aesthetic, and industrial into minimal forms.


Here, artistic practice is conceived as a return. Not to a specific place, but to an initial point: a moment when forms were not yet definitions, but premonitions. A stage prior to language, where a small object, a model, an amulet, a fragment; could contain a complete intuition of the world.


As this practice expands across disciplines: architecture, fashion, technology; more rigid structures appear: method, function, learned aesthetics, efficiency. Yet beneath them, a more persistent impulse remains: the need to create symbols that connect with what cannot be seen, but sustains everything.

A drive that precedes utility, the market, and optimization. This collaboration returns to that core. To the minimal that holds the immense. To the miniature as a device for inner opening. To form that, without naming, evokes.


The works emerge from a shared dialogue between the two artists, inhabiting a subtle space where form becomes a common language. A place where the spiritual, the aesthetic, and the imaginary are not separate, and where an object can be architecture, flower, mechanism, or ritual, while maintaining the same underlying pulse.
 Through a deliberate economy of means, each piece seeks to remove the unnecessary—objects that, in their minimal scale, hold the possibility of something greater.
Top                Román de Lorenzo -  2026