Profile
 Román De Lorenzo is a Spanish creative director and visual artist working at the intersection of fashion, visual culture, and digital environments. As the founder of MURPH, a Madrid-based studio, his practice focuses on shaping contemporary brand narratives through a language that merges aesthetics, communication, and cultural positioning.

With a background rooted in strategy and creative direction, De Lorenzo has collaborated with global brands such as Gucci, Burberry, Nike, or Inditex, developing projects that operate across campaigns, editorial platforms, and digital ecosystems. 

His work is characterized by a sensitivity to image-making and its role within a global cultural field, where fashion, media, and art converge. Moving fluidly between disciplines, his practice explores how visual narratives can construct identity, desire, and contemporary modes of perception.


Photography by Carlos Sempere


Exhibitions
(upcoming) Jade Paris
Imágenes by Felipe Escudero and Román de Lorenzo
Sept - Dec 2026

Palenqe Madrid 
Imágenes by Felipe Escudero and Román de Lorenzo
June 2026

Alcova Milano
Imágenes by Felipe Escudero and Román de Lorenzo
April 2026


Isola Milano
Imágenes by Felipe Escudero and Román de Lorenzo
April 2026

Awards and Recognitions
UE - European University Madrid
Awards host and Curator 2026

Princep de Girona 
Links book for Entrepreneurial recognition
Recent Press
Imágenes by Felipe Escudero and Román de Lorenzo 
Neo 2
2026

Imágenes by Felipe Escudero and Román de Lorenzo 
VEINTICINCO
2026

Imágenes by Felipe Escudero and Román de Lorenzo 
Vogue Poland
2026               

Román de Lorenzo

   Creative Director and Visual Artistroman@murph.eu , @roman.delorenzo
RELIQUIA
January 26
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3.2
The Greek amphora is one of the earliest cultural objects conceived as a vessel for both material substance and narrative. While its original purpose was to store wine, oil, or grain, it eventually became a medium for preserving stories and the mythologies of collective identity.

*Projection*, dissolves this function. The physical object no longer exists—only its function remains. An image generated by artificial intelligence is projected onto a white polystyrene surface raised on a pedestal, replacing ceramic with light itself; an inversion of the noble and the disposable that seeks to function as an archaeological remnant of the present day. If value once resided in the material and the enduring, today it has shifted toward the intangible and the provisional.
Top                Román de Lorenzo -  2026